In this scene from PSYCHO (1960), Lila, the final
girl, has descended into the basement of Norman Bates’ house, only to be
confronted by Norman himself dressed as a mockery of his mother. This costume
is part of the mise-en-scene that represents his split mental state. The
lighting in this shot also lends to this idea of a split-personality as it
creates a large shadow of Norman behind him, creating the idea that another
person is directing him to kill. A theory that can clearly be used to help
decode this image is Janet Staiger’s “Audience Studies.” In it, she writes
about the importance of context in understanding the impact of a film. This
scene can best be comprehended through its link to the context of Ed Gein. Ed
Gein was a serial killer around 1937 who murdered women and dressed up in an
outfit made of their skin. He also claimed to hear the voice of his dead mother
who compelled him to kill; a trait that Norman Bates shares.
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